British Columbia Teen Musician Brings Traditional Blues Sound to a New Generation
KAMLOOPS, B.C. — Canadian blues music is welcoming a promising new talent as 17-year-old Jake Soberlak of Kamloops, British Columbia releases his debut single, “You Gotta Leave,” the first preview of his upcoming album I’m In Trouble, scheduled for release on Sept. 11, 2026.
The guitarist, vocalist and harmonica player has quickly emerged as one of the youngest artists making a notable impression within Canada’s blues community. While many musicians his age are still exploring genres, Soberlak has dedicated himself to mastering a musical tradition rooted in more than a century of history.
His debut single introduces listeners to a performer whose sound draws heavily from classic blues influences while bringing a youthful perspective to the genre.
A Musical Journey Inspired by Family Records
Discovering the Blues Through a Grandfather’s Collection
Soberlak’s connection to blues music began with an unexpected discovery in his grandfather’s collection of records brought from England decades earlier.
While exploring the collection, he encountered recordings that sparked a deep fascination with the genre. That curiosity soon evolved into a self-directed musical education as he traced the history of blues through influential artists and landmark recordings.
Icons such as B.B. King, Peter Green and Eric Clapton became formative influences. Inspired by their work, Soberlak began playing guitar at age 13 and added harmonica a year later. His growing abilities quickly attracted attention in Kamloops and surrounding communities.
The young musician’s dedication to studying the roots of blues has helped shape a sound that feels authentic despite his age, earning him recognition among local audiences and fellow musicians.
‘You Gotta Leave’ Showcases Traditional Blues Craftsmanship
Vintage Inspiration Meets Original Songwriting
“You Gotta Leave” is an original composition that reflects Soberlak’s deep appreciation for classic blues recording techniques.
The song was inspired by “Wine, Whiskey and Women” by Papa Lightfoot, particularly its distinctive vocal sound, which appears to be sung directly through a harmonica microphone. Motivated by that production style, Soberlak sought to recreate a similar atmosphere while crafting an original track.
The resulting recording combines traditional blues elements with a modern performance, highlighted by a piano solo that Soberlak considers one of the standout moments on his forthcoming album.
Lyrically, the song embraces the straightforward storytelling that has long defined the genre. “You gotta leave now babe go away from my door,” Soberlak sings, “it’s over now baby I don’t want you around no more.”
The song continues with lines such as “won’t you tell me where you learned to be so cold,” demonstrating a maturity and understanding of blues songwriting that belies the artist’s age.
Recording a Debut Album the Traditional Way
Live Studio Sessions with Acclaimed Canadian Musicians
Soberlak recorded I’m In Trouble at Vancouver’s Afterlife Studios with producer and drummer Leon Power, whose credits include work with acclaimed Canadian artists City and Colour and Frazey Ford.
To support the sessions, Power assembled an experienced group of musicians featuring Darren Parris on bass and respected pianist Darryl Havers. Engineering duties were handled by John Raham.
Rather than relying on extensive studio editing, the album was recorded live off the floor over two days, with all musicians performing together in the same room. The approach mirrors the recording methods used on many classic blues records and was designed to capture the spontaneity and emotional energy central to the genre.
For Soberlak, the opportunity to record alongside seasoned professionals proved both educational and rewarding.
“They’re all great people and great musicians, and it was so much fun,” Soberlak says.
Building a Reputation Across British Columbia
A Young Musician Focused on the Craft
As anticipation builds for the release of I’m In Trouble, Soberlak continues to establish himself through live performances across Kamloops and neighbouring communities.
His appreciation for blues extends beyond contemporary interpretations. He regularly studies recordings from earlier decades, seeking lesser-known songs that resonate with him personally.
“Not all blues songs are sad,” he explains. “It’s really a reflection of life. I like finding songs from the 30s, 40s or 50s, these gems that I really connect with, and I enjoy giving them my own take once I’ve learned them.”
Despite growing recognition and increasing attention within Canadian blues circles, Soberlak remains focused on a simple ambition.
“I just want to be playing music and gigging,” he says. “That’s all I want to do.”
With the release of “You Gotta Leave” and a full-length album arriving this September, that goal appears well within reach. For Canadian blues fans, Soberlak’s debut represents the arrival of a young artist determined to preserve a timeless musical tradition while making it his own.