After four years without releasing new material, The Mandevilles have returned with a new single that could mark a pivotal moment for the independent Canadian rock act and its label.
The Welland, Ont.-based band released “Every Bit Of Violence” this week through Snareguy Records, ending what had been a prolonged silence from one of the Niagara region’s most established rock exports. The track blends the band’s signature rock foundation with modern alternative influences, reflecting both creative growth and a changing music landscape that increasingly rewards artists who can evolve while maintaining a core identity.
Founded by longtime musical partners Serena Pryne and Nick Lesyk, The Mandevilles have spent more than a decade building a reputation on Canada’s independent circuit. Their latest release arrives at a time when domestic artists are facing heightened competition for streaming attention, touring opportunities and media exposure, particularly after pandemic-era disruptions reshaped the live music economy.
The origins of the single underscore the band’s improvisational roots. According to the group, the song emerged spontaneously during a low-key afternoon performance when Lesyk began playing a riff that prompted an immediate vocal response from Pryne. The band then mapped out the song’s structure live on stage and captured early recordings using a phone.
That spontaneous energy carried into the studio, where the band worked alongside guitarist and synthesist Taylor Laslo and co-producer and mixer Russ Donohue. Pryne described the resulting studio process as “magical” and “harmonious”.
From a business perspective, the single represents more than a creative release. It serves as a reintroduction to audiences and industry stakeholders, as artists increasingly rely on new content to drive streaming revenue, licensing opportunities and touring demand.
Lyrically, the song addresses themes of mental health and family struggles, topics that have become more prominent across the music industry as artists seek to build deeper emotional connections with listeners. Pryne said the song’s central line came naturally during its creation: “The words ‘Every Bit of Violence’ just came hammering in… it helps to know you’re not the only one”.
The band said the track is intended to deliver a sonic “punch” while maintaining emotional depth, positioning it for potential use in film, television or other media placements — revenue streams that have become increasingly important for independent musicians navigating a fragmented industry.
The release also reflects the group’s evolving sound. With bassist Ryan Defoe and drummer Jim Hornak providing the rhythm section, the addition of synthesizer textures and more layered production signals a shift toward a broader sonic palette. Industry analysts say this kind of stylistic expansion can help legacy independent acts remain competitive on streaming platforms, where genre blending is increasingly common.
The band’s return comes amid cautious optimism across Canada’s music sector. According to industry groups, live music revenues and touring activity have rebounded significantly since 2022, but artists still face rising costs and intense competition for audience attention.
To support the release, The Mandevilles have issued a lyric video, with an official music video planned in the coming weeks. Such visual content has become a key marketing tool, helping artists drive engagement across platforms like YouTube, TikTok and Instagram, where discovery increasingly occurs.
For Snareguy Records, the release represents an opportunity to re-engage existing fans while potentially expanding the band’s reach internationally through streaming and licensing channels.
The band said the single marks the beginning of a more active period in 2026, signalling additional releases and performances ahead.
“Every Bit Of Violence” is now available on major streaming platforms, marking both a creative return and a strategic re-entry into a music market that has undergone significant transformation during the band’s absence.
For The Mandevilles, the release serves as both a personal statement and a commercial reset — one that could shape the next phase of their career as Canada’s independent music sector continues to evolve.