Vancouver rock band The Get Arounds have returned with Going Out Tonight, a 13-track second full-length album that builds on the group’s power-pop and alternative-rock foundations with a more focused approach to songwriting, production and performance.
Released August 17, 2026, the album follows the band’s debut, I Wanna Live, and combines power pop, indie rock, pop-punk and classic rock influences. Tracks including “Going Out Tonight,” “Black Corvette,” “Bones” and “Hideaway” highlight a record designed around prominent guitars, energetic rhythms and concise choruses.
The Get Arounds Find a More Focused Sound
For guitarist and songwriter Carman Lethbridge, the new album reflects a clearer understanding of the band’s musical direction.
“I think the new record is a little more focused on the songwriting,” says Carman Lethbridge. “On the first record we didn’t really know what kind of band we were or where we wanted to take it. We were looking for a sound and I think we found it on this one. The Get Arounds are a modern version of a classic radio rock band. We love great songs with choruses and big guitars and kick ass drums. Who doesn’t?”
The Get Arounds initially formed during the COVID-era lockdown period, when Lethbridge began writing and recording material with drummer Lana Ryma. The project developed further after Ryma moved from behind the drums into a lead vocal role, helping establish the sound that now defines the group.
The album’s title track emerged particularly quickly during the songwriting process.
“It was one of those rare magic moments,” says Ryma. “The song took about 30 minutes to write. We even used the first vocal take. There’s a few dissonant notes but I loved how it sounded so we kept it.”
That willingness to retain imperfections contributes to the album’s relatively raw character, with the band favouring direct performances over heavily polished production.
Thirteen Tracks Balance Punk Energy and Melody
Across Going Out Tonight, The Get Arounds move between fast, compact rock songs and more melodic material. “Fuck Around” and “Shut You Down” emphasize punk-influenced rhythms, while “Waiting For The Stars” and “Hold On” provide additional room for the band’s melodic side.
“Black Corvette” and “Stuck In LA” bring a swaggering rock approach, while “Kill Or Be Killed,” which features Ryma returning to the drums, pushes more directly into punk territory. “Do Or Die” incorporates a contemporary British pop-rock influence.
“Bones,” meanwhile, moves into darker subject matter and provides a contrast to the record’s more energetic tracks.
“It’s a hauntingly beautiful song about life and how cruel it can be,” Ryma explains. “The evil some commit and truths they hide.”
Lethbridge said the personal nature of the songwriting represents an important development for him.
“I’m really proud of this record musically and especially lyrically. I feel like I’m just starting to hit my stride as a songwriter. Trying to cut to the truth. When songs are really personal it’s a bit scary, but people connect with that.”
Vancouver’s Downtown Eastside Shapes Album Atmosphere
Although Going Out Tonight is not explicitly presented as a concept album about Vancouver, the city provides an underlying atmosphere throughout the record. References and imagery associated with Chinatown and the Downtown Eastside reinforce the band’s connection to its local environment without overshadowing the songs.
The record was recorded by Jason Solyom and Lethbridge, with Solyom also handling the mix. Lethbridge performs much of the instrumentation, while Ryma contributes vocals and drums on selected songs, alongside contributions from Jay Solyom.
Expanded Live Lineup Gives Songs Added Weight
For live performances, The Get Arounds expand their lineup with Sean Stubbs, Lisa Lloyd and Kimi Mah, creating a fuller interpretation of the studio material.
“Our live band is killing it right now,” says Lethbridge. “Sean Stubbs is the best drummer I’ve ever played with. Lisa Lloyd is a natural born rock star bass player, and Kimi Mah knows the songs better than I do.”
The expanded lineup gives the band an opportunity to translate the album’s guitar-driven production into a heavier live setting while retaining its emphasis on hooks and melody.
With Going Out Tonight, The Get Arounds appear focused on refining rather than reinventing their approach. The record combines Vancouver rock influences with power-pop immediacy, punk energy and straightforward production, presenting a band increasingly confident in its musical identity.
“It’s a rock n’ roll party for sure. I think we kicked ass,” Ryma says.