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Martin Scorsese reveals his ranking of the 15 most beautiful films in the history of cinema!

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Martin Scorsese, before becoming one of the greatest living directors, He is a great expert on cinema. He recently revealed what he calls his list of the 15 greatest movies in cinema history, and looking at it, the ranking seems to have been made by someone who loves old school cinema.

The list is a collection of movies that Ranging from the forties to the seventiesfrom the neo-realistic Italian film, to more experimental films (obviously for the canons of the time) which over the years They almost conquered the legendary aura. The arrangement includes:

  • 2001: A Space Odyssey (Stanley Kubrick, 1968)
  • 8, (Federico Fellini, 1963)
  • Ashes and Diamonds (Andrzej Wajda, 1958)
  • Citizen Kane (Orson Welles, 1941)
  • Diary of a Country Priest (Robert Bryson, 1951)
  • Ikiru (Akira Kurosawa, 1952)
  • The Panther (Luchino Visconti, 1963)
  • Ordet (Karl Theodor Dreyer, 1955)
  • Paisa (Roberto Rossellini, 1946)
  • The Red Shoes (Michael Powell, Emeric Pressburger, 1948)
  • The River (Jean Renoir, 1951)
  • Salvatore Giuliano (Francesco Rossi, 1962)
  • The Searchers (John Ford, 1956)
  • Ugetsu Monogatari (Kenji Mizoguchi, 1953)
  • Vertigo (Alfred Hitchcock, 1958)

Despite the commendable collection of great classics of all kinds, howeverThe average Twitter user had to say anywayMight be annoyed Martin Scorsese quotes about Marvel movies. Some have pointed out how all the films Scorsese mentioned No later than the late sixties, during which time he began to work more actively as a director. “It’s a bit strange, really, that you don’t think that a single movie from the past 50 years — during its run, basically — It is one of the fifteen greatest films of all timeOne of the comments circled about the arrangement.

Many defined his choice as “too pretentious” or criticized his decision to dress 2001: A Space Odyssey in the first place. Over the years, more than opposing opinions towards Kubrick have always been collected and the comments on the Italian-American director’s choice only confirm this trend. Just about the state of cinema, Scorsese has talked about obsessing over the box office of modern cinema, he lists his own situation as an outlier, though he rarely amass sensational receipts, It can still be remembered.

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